Wednesday, November 4, 2009

A Fairy Tale to Remember when the First Snow Flies: Grimm's Fairy Tale No. 53, Snow White





Grimm's Fairy Tale No. 53: Snow White


Once in the middle of winter when the snow flakes fell like feathers from heaven, a queen sat sewing at her ebony-framed window. As she sat there doing her needlework she looked up at the gently falling flakes and pricked her finger with the needle. Three drops of her blood fell onto the snow. The red hue on the white snow looked so beautiful that she thought to herself “If only I had a child as white as the snow, as red as blood and as black as the wood in this frame!” Soon thereafter she had a little girl, who was as white as the snow, as red as blood and as black-haired as ebony. That is why she called her Snow White. And when the child was born the queen died.

A year later the king took another wife. She was a beautiful woman but proud and arrogant and could not bear the thought that someone might exceed her in beauty. She had an enchanted mirror and when she stood before it and gazed into it she said

“Mirror, mirror on the wall,
Who’s the fairest in all the land?”

And the mirror replied

“Mistress Queen, you are the fairest in the land!”

She was at peace because she knew the mirror told the truth.

But as the little Snow White grew, she became more and more beautiful. When she was seven years old, she was as fair as a clear day and even more beautiful than the queen herself. When the queen once again asked her mirror:

“Mirror, mirror on the wall,
Who’s the fairest in all the land?”

It replied:

“Mistress Queen, you are the fairest here,
But Snow white is a thousand times fairer than you!”

The queen was very much taken aback and became yellow and green with envy. From that hour whenever she saw Snow White, her heart turned round in her body because she hated the girl so much. Her envy and arrogance grew higher and higher like weeds in her heart until she no longer had any peace day or night. She called a huntsman and said “Bring the child out into the forest. I don’t want to lay my eyes on it any more. You should kill it and bring me the lungs and liver as sign.”

The hunter obeyed and brought the girl out into the woods. When he pulled out his hunting knife and wanted to bore through Snow White’s innocent heart, the girl began to cry and said “Oh dear Hunter, let me live; I will run into the wild forest and never come home again.”

Because the girl was so beautiful, the hunter had pity on the girl and said “So run away, you poor child.” But he thought to himself “The wild animals will soon eat you.” But to the hunter, it felt as if a stone had been lifted from his heart because he did not need to kill the girl. And just then a young boar crossed his path. He stabbed it, took its lungs and liver and brought these as signs to the queen. The cook had to prepare them in salt and the evil woman ate them and thought she had eaten Snow White’s lungs and liver.

Now the poor child was all alone in the great forest and she was so frightened that she looked at all the leaves on the trees and did not know how to help herself. She began to run over the sharp stones and through the thorns and the wild animals jumped past her but did her no harm. She ran as long as her feet could move until evening, when she saw a small hut and went inside to rest. Everything in the hut was small, but delicate and clean. A little table with white table cloth stood in the room. It had seven little plates and each little plate had a little spoon, also seven little knives and forks and seven little cups. Seven little beds stood next to each other on the wall and were covered with bright-white sheets. Because Snow White was so hungry and thirsty, she ate a little portion of vegetables and bread and drank a drop of wine from each little cup. She didn’t want to take everything away from one person. After this, because she was so tired, she lay down in a bed which hardly fit her. The one was too long, the other too short, but finally the seventh bed was just right. And there she remained lying, commended herself to God and fell asleep.

When it was quite dark, the gentlemen of the little house returned home. They were the seven dwarves, who mined and dug ore in the mountains. They lit their seven little lights and when it was bright in the hut, they saw that someone was inside because everything was not standing in order as they had left it. The first one spoke: “Who has sat on my little chair?” The second one said “Who ate from my little plate?” The third one said: Who ate from my bread?” The fourth “Who has eaten from my vegetables?” The fifth said “Who used my fork?” The sixth said “Who has cut with my knife?” The seventh said “Who has drunk from my little cup?”

Then the first one looked around and saw a small indentation in his bed. He said “Who has been sleeping in my bed?” The others came running and called “Someone has also slept in mine.” But the seventh dwarf, when he looked at his bed, saw Snow White lying there asleep. He ran to the others and they all came crying out in amazement. Each of the seven fetched his little torch and they all illuminated Snow White. “Oh, my God, my God!” they called, “How beautiful the child is!” and were so happy that they did not awake it but let it sleep in the little bed. The seventh dwarf took turns sleeping next to his fellows for one hour each. Then night was over.

When morning came, Snow White awoke and when she saw the seven dwarves she was afraid. But they were friendly and asked her “What is your name?” “My name is Snow White” she replied. “How did you get to our house?” the dwarves asked. She told them how her step-mother had wanted to kill her, but the hunter spared her life. Then she ran the entire day until she finally found their little hut. The dwarves spoke: “If you will manage our household, cook for us, make the beds, wash, sew and knit and if you will keep everything in order and clean for us, then you can stay with us and you will never lack a thing.”

“Yes,” Snow White responded “from the depths of my heart, I will do this gladly.” And she stayed with them. She kept the house orderly: in the morning they went to the mountain and looked for ore and gold, in the evening they came home again and then their dinner had to be ready. During the day when the girl was alone, the good dwarves warned her to be on her guard “Protect yourself against the step-mother. She will soon know that you are here; never let anyone inside.”

But the queen, after she believed she had eaten Snow White’s lungs and liver, thought only that she was now the first and foremost beauty, so she stepped before her mirror and said

“Mirror, mirror on the wall,
Who’s the fairest in all the land?”

The mirror replied

“Mistress Queen you are the fairest here,
But Snow White beyond the hills,
With the Seven Dwarves,
Is a thousand times more beautiful than you.”

She was taken aback because she knew that the mirror never spoke an untruth and realized the hunter had lied to her. Snow White still lived. Then she knew she would have to kill the child. As long as she was not the fairest in all the land, she did not have any peace. Finally she conceived a plan. Painting her face she disguised herself as an old shopkeeper and was completely unrecognizable. In this form she walked over the seven hills to the seven dwarves and knocked on the door and cried “Beautiful goods, oh how fine, fine!” Snow White looked out of the window and called “Good day, dear wife. What do you have to sell?”

“Good wares, beautiful wares,” she replied “laces of every color,” and held up a lace woven from the finest silk. “I can surely let this honorable woman inside,” Snow White thought. So she opened the door to buy the pretty laces.

“Child,” the old woman said, “How you look! Come, let me lace you up properly.”

Snow White was not afraid as she stood before her. She let her tighten the new laces: but the old woman laced so quickly and tightly that Snow White could not breathe and fell over as if dead. “Now you were the fairest,” she said and hurried out.

Soon it was dinnertime and the seven dwarves returned home. They were terrified when they saw their dear Snow White lying on the floor. She did not breathe or move and it was as if she were dead. They cut the laces in two and she began breathing again and gradually she came back to life. When the dwarves heard what had happened, they spoke “The old wife was no one other than the godless queen: protect yourself and don’t let another person in, when we are not with you.”

But the evil woman returned home and went to her mirror and said:

“Mirror, mirror on the wall,
Who is the fairest in all the land?”

And it answered just like before:

“Mistress Queen, you are the fairest here,
But Snow White over the hills
With the seven dwarves,
Is a thousand times more beautiful than you.”

When she heard this, her blood rushed to her heart. She was taken aback because she saw that Snow White lived again. “But now,” she said, “I will do something that will bring your ruin,” and using the witchery in which she was skilled, she made a poison comb. Then she disguised herself and took the shape of an old woman. She went over the seven hills to the seven dwarves, knocked on the door and cried “Good wares, fine, fine!”

Snow White looked out and spoke “Go on your way, I’m not allowed to let anyone in.” “Certainly you can look,” the old woman said pulling the poison comb out and holding it in the air. This pleased the child so much, that she let herself be fooled and opened the door. When they agreed on the sale, the old woman said “Now I will comb your hair properly.” Poor Snow White did not think anything was amiss and let the old woman comb. But she had hardly placed the comb in her hair, when the poison began to act and the girl fell over unconscious. “You, paragon of beauty,” the evil woman said, “Now it’s over for you,” and she departed. But luckily it was soon evening when the seven dwarves returned home. When they saw Snow White lying on the ground as if dead, they immediately suspected the step-mother. They looked for and found the poison comb and hardly had they removed it when Snow White revived. She told them what had happened. They warned her once again to be watchful and not to open the door for anyone.

The queen stood once more before her mirror and said,

“Mirror, mirror on the wall,
Who is the fairest in all the land?”

It replied as before:

“Mistress Queen you are the fairest here,
But Snow White over the hills
With the seven dwarves,
Is a thousand times fairer than you.”

When they heard the mirror, she shook and quivered in rage. “Snow White shall die,” she called “and if it costs me my own life!” With that she went to a lonely, hidden chamber, where no one ever came, and made a very poisonous apple. On the outside the apple looked luscious, white with red cheeks, and anyone who saw it desired to eat a little piece. But if they did, they would die. When the apple was finished, she painted her face and disguised herself as a farmer’s wife and in this manner she went over the seven hills to the seven dwarves. When she knocked on the door, Snow White stuck her head out of the window and said: “I mustn’t let in anyone, the seven dwarves have forbidden it.” “That’s fine by me,” the farmer’s wife replied. “I want to get rid of my apples. Here, take this one, I will give it to you as a present.” “No,” Snow White answered. “I must not take anything.” “Are you afraid of poison?” the old woman asked, “Do you see, I will cut the apple in two pieces. The red part you can eat, the white part, I shall eat.” But the apple was made so well that the red part alone was poisonous. Snow White longed for the pretty apple and when she saw that the farmer’s wife ate from it, she could resist no more. She extended her hand and took the poisonous half. She had hardly taken a bite in her mouth, when she fell over dead to the ground. The queen gazed upon her with an evil smile and laughed and said “White as snow, red as blood, black as ebony! This time the dwarves shall not awake you again!” And she returned home to the mirror and asked

“Mirror, mirror on the wall,
Who is the fairest in all the land?”

It finally replied

“Mistress Queen, you are the fairest in all the land,”

Her envious heart could now be at peace as much as it is possible for an envious heart to be at peace.

The little dwarves, when they came home, found Snow White lying on the floor and no more breath came out of her mouth and she was dead. They lifted her up, tried to find the poison, unlaced her, combed her hair, washed her with water and wine, but nothing helped. The dear child was dead and remained dead. They placed her on a bier and each of the seven took their place around it and cried for the child. They cried three days long. They wanted to bury the child, but she looked so fresh and lively like a living person. She still had pretty red cheeks. They said: “We can’t lower her into the black earth,” so they had a clear glass coffin made in order to see her from all sides. Placing her inside, they wrote her name in golden letters and that she was a king’s daughter. Then they placed the coffin out on the hill and one of them always held watch. The animals also came and cried for Snow White. First an owl, then a raven and finally a dove.

Snow White lay in the coffin a very long time and her body did not decay. Instead, it looked like she was sleeping because she was still as white as snow, as red as blood and had black hair like ebony. It happened once that a king’s son entered the forest and came to the dwarves’ house to spend the night. On the hill he saw the coffin and the beautiful Snow White inside. He read what was written with the golden letters. He said to the dwarves “Give me the coffin. I will give you what you want for it.” But the dwarves replied “We will not relinquish her for all the gold in the world.” He answered “You must give me the girl, for I cannot live without looking at Snow White. I want to honor and revere her, my dearest one.” When he spoke these words, the good dwarves felt pity for him and gave him the coffin. The king’s son had it carried by his servants on their shoulders. It happened that one stumbled on a shrub and the jarring loosened the poisonous apple from the throat of Snow White. It did not take long for the girl to open her eyes, raise the cover of the coffin in the air and sit up. She was alive again. “Oh God, where am I?” she cried. The king’s son said full of joy “You are with me,” and told her what had happened. He said “I hold you dearer than anything in the world; come with me to my father’s castle. You will be my wife.” Snow White was so gentle and went with him. Their wedding was celebrated with great pomp and splendor.

But Snow White’s godless stepmother was also invited to the celebration. When she put on her beautiful dress, she stepped before the mirror and said

“Mirror, mirror on the wall
Who is the fairest in all the land?

The mirror replied

“Mistress Queen, you are the fairest here,
But the young queen is a thousand times fairer than you.”

The evil woman pronounced a curse and became so terrified, that she did not know what to do. First, she didn’t want to come to the wedding; but she had no peace and had to go and see the young queen. And when she entered the hall, she recognized Snow White and stood there in terror and fear and could not move. But iron slippers had been placed in the coal fire and were carried in with tongs and set down before her. She had to put on the red hot shoes and dance until she fell to the ground dead.





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November Hauntings: the Feast Day of Lemuria November 9


Doppelgänger and Our Own Internal Demons

An illusive spirit appears in Grimms' Saga No. 260 Ghost as Married Woman (full text below). 
The ghoulish apparition in this story can be likened to a doppelgänger or fetch, a true replicate of a living person whose appearance announces illness, danger or death. According to folk tradition nothing was quite so unnerving as seeing your own doppelganger for then your own death was imminent.  Grimms' saga goes to great lengths to present the apparition as an exact physical copy of the lady of the house. But another interesting interpretation equates the doppelgänger with an outward manifestation the sub-conscious, here the malice an older woman feels toward her younger female relative. 

The saga suggests there are all sorts of things that may haunt people, including living disgruntled relations. An extension of this theme is that past deeds or even thoughts or memories are the ghosts that haunt us today. This idea is prominent in numerous works of literature and is also a key element in the play Ghosts by Henrik Ibsen. Likewise in the Grimms' Tale Snow White (see link or posting above) the evil queen is driven to action by thoughts that haunt her, ultimately harming herself and others.

Since ancient times distinctions have been drawn between the various manifestations of ghosts. The Romans distinguished between peaceful or essentially happy spirits (manes) and the tortured kind, who appear as terrors in the night (lemure or larvae).
The lemure were the restless spirits of the dead who wandered the earth. Their feast day was Lemuria celebrated on November 9 and May 13. At midnight on these days the master of the house had to placate these spirits with an offering (typically black beans).

Ghosts also purportedly appeared in processions racing through the landscape, only to disappear inside a mountain (see Gratzug). To be caught up in such a procession meant certain death but there were also other ghosts that could cause real problems. These were the Irrlicht or Irwisch (in German) and are often described as a fiery man or blue shimmering light. English folk names for these luminous clouds of light include Jack in a lantern or Will with a wisp. These wisps of blue are often seen in November and December during the advent season, an especially active season for experiencing ghosts in all of the their variety.

To read the more about doppelganger, hit the Wiki-link below. This link also provides interesting accounts of alleged doppelganger sightings, including one of Abraham Lincoln:

http://en.wikipedia.org/wiki/Doppelg%C3%A4nger


Tuesday, November 3, 2009

Have you experienced a sudden drop in fortune? Then your Hopfenhuetel or Butzenhaensel has probably left you.



Ghost Theory Expounded Here


(So what does ghost theory have to do with the latest book of short stories, Too Much Happiness, by Alice Munro? The title story of this collection is based on the life of 19th century Russian mathematician Sophia Kovalesvsky, the first woman elected to the Russian Academy of Sciences and the great-great granddaughter of Johann Ernst Schubert, the Lutheran theologian whose ideas about Ghost Theory are outlined below.)

What is a ghost? The answer probably depends on whom you’re talking to. The New Oxford American Dictionary defines a ghost as “an apparition of a dead person that is believed to appear or become manifest to the living, typically as a nebulous image.” The dictionary goes on to explain that it is common for ghosts to appear to the living even though they are not really part of this world. Haunting seems to be crucial to their existence for they either spook a person or a locality, but often both at the same time. Ironically much of what we know about the nature of ghosts comes to us from theologians or treatises seeking to dispel widespread belief in them. One of the earliest harangues against ghosts can be found in Deuteronomy 18: 10 – 11, cf. 13: “No one shall be found among you who makes a son or a daughter pass through fire, or who practices divination, or is a soothsayer, or an augur or a sorcerer, or one who casts spells, or who consults ghosts or spirits, or who seeks oracles from the dead.” Despite these assaults on popular tradition, belief in ghosts has flourished and these spirits often appear in fairy tales wandering the earth or even possessing a living person (on this website see Gratzug, Crossing to Remagen, True Eckart and Frau Holle, Ghost of Boyne Castle, Ghost Ship, Lurching Hand, Ghost as Married Woman)

Unwittingly, perhaps, the Catholic Church promoted belief in ghosts in their doctrine of purgatory, which provides a middle place for souls transitioning between life and death and thus a physical place for ghosts to reside. It was Augustine who finally endeavored to bring the teachings of the church into sharper focus and overturn popular superstition. He did not deny the existence of ghosts but did argue instead that their appearance and activity were due to demonic forces acting in the world. This rationale was continued in the 18th century when the German theologian Johan Ernst Schubert outlined his Ghost Theory in two treatises: The Appearance of Souls after Death and The Location of Souls after Death. Here Schubert explores the various notions of what happens to us at death and the nature of ghosts in general. Yale University has several items in its rare books collection written by Johann Ernst Schubert, but I am not aware of any library in America that holds this particular work. I am therefore posting excerpts of translations of Schubert’s text because they illuminate folk beliefs reflected in many of the fairy tales posted here.

What is the essence of a ghost? To Schubert this question is inextricably tied to the nature of our souls. He says “The soul is in and of itself an invisible essence. If we assume that the soul is located near the ashes (or decay) of its body, you still would not be able to see it or sense it. If it appeared, the soul would either have to re-construct the body, in which it formerly dwelled or build a body from other material to be able to appear to the eyes of the living. The one thing is just as impossible as the other….. " Thus souls are not body-builders, but instead more like invisible clouds or transparent vapor. Schubert envisions them hovering close to their limp and decaying bodies, or, by extension inhabiting the cemetery.

More Schubert quotations and information about his ghost theory can be found at http://afterlifeinfairytales.blogspot.com/

Vernacular literature offers a rich variety of ghosts that do not fit so neatly into an organized theology. The ghosts of fairy tales and legends haunt mountains, forests, lakes and even houses. They are not the dead stuff so painstakingly defined in Schubert's theology and many ghosts (especially in Grimm's Saga) do not seem to be motivated by malevolence. In popular lore ghosts often have preferences, likes and dislikes. They have favorite seasons (winter) and the time around All Soul’s Day (November 1) was believed to be the time it was easiest to breach the barrier between the living and dead and see one. In cold and dark months they are often spied running merrily through a courtyard, riding in a sled, playing music or dancing in the parlor. They love to wear colorful garb adorned with bells and they actually seek out human companionship. The Swedish Tomte is one such ghost. He has the stature of a child but the face of an aged man. Often appearing in a red cap, an offering of tobacco or a shovel-full of earth would appease such a house spirit. These ghosts, known as kobold, shellycoat, brownie or heinzelman love to play tricks on the mortals with whom they live. They love to laugh and perform mundane household chores for the family they haunt. But their persistent appearances are often perceived as an annoyance, their rituals a nuisance or even an embarrassment to the master of the house. Instead of receiving a small boon, house spirits are often rebuked with unkind words or jokes. This enrages the kobold and causes him to leave the family he has been associated with for centuries. When the ghost leaves, the family’s fortune collapses. In German folk traditions these spirits are often named Huetchen, Hopfenhuetel, Eisenhuetel, Heinz, Butz or Butzenhaensel. These ghosts like to live in the stable, cellar, silo or even a favorite tree. Often they have their own room in the house under the eaves and a soft indentation can be seen on the pillow or chair where they sleep. Or they may even sleep in the same bed as the humans, with whom they live. On Thursday these spirits will not tolerate any wood-cutting or spinning. They love to play the harp, talk to everyone in the household and reveal secrets. Because of this familiar relationship, they are often referred to as uncle or father-in-law. But there is also a more sinister form of these spirits, who are then referred to as poltergeist or rumpelgeist.

Here are the various names of house ghosts or spirits in saga and fairy tales:
Aitvaras (Lithuanian house ghost, his manifestations include black rooster, black cat or flying snake. A devil or evil spirit, who demands the soul of the person he haunts and then richly rewards him (Faust))
Bukura e dheut (Albanian fairy. Helpful and very powerful. Only a god or angel is capable of performing the same functions. Her castle is guarded by magical animals. Sometimes she has a demonic connection. She is protected by a three-headed dog.)
Brownie (Scotland and Northern England: a house ghost. Similar to a Heinzelmannchen in Central Europe. In Cornwall, Brownies are responsible for guarding bees.)
Domovoj (Russian, ghosts incarnating from dead souls, they protect the family and its cattle , dom means house.
Druden (Truden, Old Norse trotha meaning “treten or “stossen”/ "kicking" or "pushing") (A female demon appearing especially in Southern Germany and Austria who disturbs sleep or performs evil magic. The word “Trute” is middle-high German for “ghost” and is synomynos with “witch”. The pentagram or “Drudenfuss” was a protection against evil spirits (Goethe’s Faust).
Elves (Old English Aelfen. There were 3 types: Mountain Elves, Water Elves or Forest Elves. The English tradition characterizes them as lovely female spirits and they appear in German literature in this form in the 17th century. They love music and dance. Herder and Goethe refer to their king as “Erlkoenig” (Elf King)
Haltia (Finnish “protector”, ghostly protectors of a house, mill or hearth/fire. The person who first establishes or builds a house or who first made fire in the house can become this house spirit.
Heinzelmaennchen (Germany, Central Europe, helpful house spirits of gnome-like stature with red or green clothing and usually with red hair. They are indefatigable helpers of house occupants and provide good advice. Mean spirited comments or curiosity drive them away. Also called Heinzlein (short form for Heinrich) and a euphemism for a demon or devilish spirit.
Juma (Finno-Ugric, Finnish for ghosts of the earth, water, wind and house.)
Kobold (Central European, beneficient house spirit. Name means ruler of the chamber or house (from English: cove meaning chamber and old meaning ruling), i.e. the spirit ruling the house. Also appear as mountain spirits, who rob silver and return valueless cobalt. They work as invisible spirits for the good of the house.)
Majas gars (Latvian house ghost. Even in the 19th century Latvian farmers hoped to achieve the beneficence of such spirits through prayer and offering, thus assuring the fortune of the house and its inhabitants.
Para (Finnish folk tradition, a house ghost that often appears in the shape of snake, frog or cat; responsible for multiplying a household’s fortunes in the form of grain, milk, butter and also money.
Pukis (Lithuanian dragon with a helping function, acts as house guide or bringer of treasure.
Shellycoat (Scottish kobold, loves bells on clothing, likes to play tricks and laugh, acts as true servant but a Shellycoat's presence is perceived as an annoyance.)
Teraphim (Hebrew for house idol, bestows charity and riches to a family, assumes a position of honor and leadership within the family, assures family’s inheritance and also serves oracular purposes. Mentioned in Book of Judges.


Read more fairy tales by clicking on the link:

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Tuesday, October 27, 2009

Grimm's Saga No. 260: Ghost as Married Woman


Grimm's Saga No. 260

In the time when Johann Casimir was Duke of Coburg*, his Master of the Stables was named G. P. von Z. This master of the stables first resided in the street called Spitalgasse, afterward in a dwelling subsequently inhabited by D. Frommann and then in a large villa outside town, which was called Rosenau. Finally he took up residence in the castle where he also acted as captain of arms. A ghost forced him to these frequent moves. In appearance this spirit looked exactly like his living wife, so much so, that each time when he entered a new dwelling and sat at his table he often doubted whether he was in the presence of his true wife. For the spirit followed him out of each house and everywhere. When his wife once again suggested moving into new living quarters to avoid the ghost, the apparition began to cry out in a loud voice: “Go where you will. I will follow you, even to the ends of the earth!” This was not an idle threat for when the Master of the Stables moved out, the doors of the houses he left behind slammed shut with ferocious force. From then on the spirit was never seen in the abandoned house but only in the new residence.

Every day when the true wife dressed herself, the ghost appeared in the same clothing regardless of whether it was a fancy dress or an every-day dress and the colour of the fabric didn’t matter. This is why the wife never went about her household tasks alone, but was always accompanied by a servant. The spirit often appeared between eleven and twelve o’clock. If a priest or man of the cloth was present, the ghost did not appear. Once  when Johann Pruescher the Father Confessor had been invited and the noble man and his wife and sister accompanied him down the stairs, the spirit began to climb the stairs from below at the same time. Through the wooden rail it gripped the young maid’s apron and disappeared when she began to scream. Once the spirit lay on it’s side over the threshold to the kitchen. When the cook asked “What do you want?” the spirit responded “I shall have your mistress.” But the mistress of the house never experienced any harm. Things did not go as well for the young maid, the sister of the nobleman. One time the spirit hit the girl so hard on the face that her cheek swelled up and the girl had to return to her father’s house. Finally the spirit retreated and it became peaceful in the house once more.

*  
John Casimir (German: Johann Kasimir) of Saxe-Coburg (Gotha, 12 June 1564 – Coburg, 16 July 1633) was the Duke of Saxe-Coburg. He was the descendant of the Ernestine branch of the House of Wettin. / Wikipedia

To read more about Ghosts and Ghost Theory, click on the links.


To read about ghosts and all they manifestations click on the link:
http://www.fairytalechannel.com/2009/11/have-you-experienced-sudden-drop-in.html

More fairy tales can be found by clicking on the link:

Friday, October 23, 2009

In this tale for hallow e'en, a hand lurches through the darkness at the church of dead souls.


Three Tales for Halloween: Beware of the Hand in the Dark

Tale 3: The Lurching Hand

This strange story happened in the year 1517 in the St. Lorentia Church and adjacent graveyard. Early in the morning of All Souls’ Eve, a pious old lady left her home to attend the Angels' Mass at church. But when she stood before the gate to the cemetery she found it was midnight instead of morning. She heard a dull murmur coming from within and so she entered. There she saw an old priest whom she did not know standing before an immense congregation. As she walked down the aisle to take her accustomed seat, she felt a hand on her shoulder pulling her gently back. Struggling free, she once more attempted to take her customary place. This time she saw an iridescent hand floating toward her through the darkness. When it gripped her shoulder, she felt a chill seize her body and she could not walk any further. Then she noticed persons sitting on her right and left side, some without heads or without arms or legs. Many of these persons she had known in her lifetime. She sat down in the nearest pew trembling with fear. Because she only recognized dead people, those she knew or did not know in her lifetime, she believed she was in the presence of departed souls. Terrified she did not know whether to remain in the church or leave or what she should do. Finally she saw her sister-in-law, who had died just three weeks before. Because she knew her sister-in-law had been a kindly, angelic woman while she lived, she approached the spirit and asked “Dear sister-in-law, God save us, how do we get out of here?” The sister-in-law replied “When the priest turns to pronounce the blessing, then make haste and leave the church. Do not turn back but flee!” She watched and when the priest began to turn and say his blessing, she hurried from the church. Behind her a great tumult rose up as if the entire congregation were rushing out and following her into the cemetery. She felt the hand once more ripping at her shoulder and grasping for her coat. She could not move past the gate until she slipped out of the coat and left it lying near a tombstone. Hastening home, the church bell rang out three hours past midnight. The next day the townspeople found lying next to each tombstone one small piece of torn fabric from the woman’s coat.

Tuesday, October 13, 2009

Three Tales for Halloween: Vampire Empire


Tale 2: Vampire Empire

In Livland the following story is told: on All Soul’s Eve a young boy can often be seen limping about in the streets at dusk. He calls all those who follow Darkness, whose numbers are too numerous to be counted, to come with him. They cannot resist and soon a large throng forms. At midnight another larger man can be seen walking beside the boy, with whip in hand made from plaited strands of iron wire he herds the multitude. He brings down this utensil on the vampires and werewolves running before him and drives them toward the castle on the hill. Their curses and groans reverberate off the steep cliff wall and can be heard in the next village.



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Sunday, October 11, 2009

Three Tales for Halloween: The Cat in the Willow Tree



Three Tales for Halloween Tale 1, Grimm’s Saga 250: The Cat in the Willow Tree
There once lived a farm boy in Strassleben who told the following story: In his village there was a certain maid, who had lost her wits to dancing mania. Often no one knew where her dancing took her, she seemed to lose her senses completely and then vanish. She would only return home after some time had lapsed. Once, this same farm boy and other workers decided to follow the maid. When once again on Sunday the girl began to dance and amuse herself in the company of the workers, she suddenly departed. But they all crept after her in stealth. She left the inn and went out into the field and ran off without looking around, straight to a hollow willow tree, in which she hid herself. The workers followed, curious to see whether she would remain some time in the willow. They waited at a place where they could stand well-hidden. After a short time they noticed that a cat jumped out of the willow and crossed the field back to Langendorf. Now the fieldhands approached the willow; there they saw the maid, or better said her body, leaning against the tree completely rigid. They could not bring her back to life however fiercely they shook her body. They were overcome with terrible dread; they left her body standing and returned home. After some time they could see the cat creeping back through the field and then it slipped silently into the willow and vanished. Some moments later the maid emerged from the willow and returned to the village.


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Wednesday, October 7, 2009

A German Fairy Tale about the Problem with Bread Shoes



(Another saga about Bread Sin. However gloomy these tales might appear to the modern reader, they do reflect a deep reverance for the food we eat. Perhaps these tales are most fitting to read in the autumn as we approach Thanksgiving, All Souls' Day and Halloween. It is also interesting to read this fairy tale alongside The Shroud, see link at right.)


Grimms’ Saga No. 238: Bread Shoes

A woman from a respectable family had a child who was the apple of her eye. When it died, she did not know how she could express the love and tenderness she felt before the babe was lowered into the earth and she would see it nevermore. And as she washed and dressed the child and placed it in its coffin, it struck her that its little shoes were not fine enough. She took the whitest flour that she had and made a dough and from this she baked soft bread shoes. The child was buried in these shoes. But the child would not give the mother any rest or peace but instead appeared looking mournful until its coffin was dug up again and the little shoes of bread were taken from its feet and replaced with proper shoes. From then on, the child was quiet and returned no more.

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Saturday, October 3, 2009

God is Bread in this German Legend



Although a rather bleak tale, this German legend illustrates the notion of a deity residing within the bread and thus its sacred nature. This belief caused quite a controversy during the Reformation but can actually be traced back to pre-Christian notions about the sanctity of grain. Read this alongside A Walk Through the Forest: a Recipe for Resilience  to explore how food is depicted in the Fairy Tale.

Grimms’ Legend No. 5: God’s Food

There once were two sisters; one of them was childless and rich, the other had five children and was a widow. The widow was so poor that she no longer had bread to feed herself or her children. In her dire need she approached her sister and said “My children and I suffer from the harshest hunger. You are rich, give me some bread.”

But the woman who was stone-rich spoke “But even I have nothing in my house!” And she drove the poor woman away with her evil words. After some time the husband of the rich sister came home and wanted to cut a piece of bread. But when he cut the first slice from the loaf, red blood flowed from within. When the woman saw this, she was terrified and told her husband what had happened. He rushed to the poor sister and wanted to help. But when he entered the chamber of the poor widow, he found her praying. She held the two youngest children in her arms. The three oldest lay on the floor and were dead. He offered her food but she replied “We no longer long for earthly food; God has already satisfied three. He will also hear our pleas.”

The widow had hardly spoken these words, when the two little ones took their last breath. This broke the woman’s heart and she sank to floor dead.

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Wednesday, September 30, 2009

Reading Hänsel and Gretel: Stepmother and witch, the ladies we love to loathe.



The fairy tale Hänsel and Gretel features two female characters that audiences love to abhor: the stepmother and wicked witch. It is the behavior of the stepmother that frequently launches the action of a fairy tale. The scheming machinations of this female, who we know from the beginning is not really the true mother, catapults the objects of her villainy into life-defining moments of distress and terror. Her evil actions speak for themselves and in this fairy tale, nothing is said (or needs to be said) about how the children feel toward the woman. She is fully human yet fully horrid and concerned only with her own welfare. We understand this type of person and perhaps even recognize elements of her character in our own acquaintances and family. Though thoroughly bad, there is nothing preternatural in her ability to make bad things happen. She does real harm to the other characters, but in the end she is usually dead or receives her just reward. In hindsight we can usually say that the evil stepmother is crucial as catalyst for transformation in the narrative.

The witch is another story. She is aligned with the forces of evil and thus her powers are stronger than the stepmother’s. Her supernatural qualities make humans appear even more frail and defenseless. In Hänsel and Gretel her unique attributes are animal-like and include recognizing creatures by their scent. Other characteristics include red eyes and indeterminable advanced age. She usually has something that people absolutely need or even worse, absolutely desire. That is the source of her power and why she can always lure the protagonists into her lair. But her powers are not without limit. Like the stepmother, she can do real harm. But fairy tale characters who look deep inside themselves can often find the resources they need to overcome the witch. The hero or heroine can always choose to take action or not. When put up against a supernatural being, he or she must develop resourcefulness and ingenuity, those qualities that have hitherto lain dormant. When these untapped qualities are finally unleashed, the witch has no power over the individual.

In fairy tales witches or sorceresses frequently have the power to reveal the future and thus they influence human destiny. They can shape-shift, disappear, do real harm to cattle and crops and also exercise control over the weather. But they usually cannot take a person’s life and thus it is up to the individual to develop strategies to overcome their evil.* This has caused some commentators to believe that witches are merely personifications or symbols of our inner struggle to become more fully human. Other writers have lamented the fact that the loathsome characters in fairy tales are mostly female. I would argue that the crucial characters in fairy tales are almost exclusively female. The male characters, such as the father in Hänsel and Gretel, are frequently weak and indecisive. Even Hänsel is not the true hero of the story for it is Gretel’s swift thinking that saves the day.

* The fairy tale Frau Trude is one exception. The witch ends up killing the girl because she is not up to the challenges of transforming her character.


To read the fairy tale Hänsel and Gretel click on the link:

 http://www.fairytalechannel.com/2009/09/fairy-tale-about-food-or-lack-of-it.html

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Monday, September 28, 2009

Reading Hänsel and Gretel: a Journey of Filial Love and Survival



A Walk Through the Forest: a Recipe for Resilience

The situation is dire indeed in the fairy tale Hänsel and Gretel. We are told in the very first paragraph that “a terrible famine ravaged the land” and it was impossible to find even the most basic sustenance, bread. Without any relief on the horizon, the parents plot to rid themselves of their offspring in the hope that by losing their children in the forest they will somehow save themselves. Fairy tales are filled with examples of such extreme behavior and here the abandonment of children is equivalent to murder by neglect. A natural disaster is at the root of the crisis. The famine has not only ushered in a period of physical hardship but it has introduced widespread spiritual decay as well. This is a time when murder and cannibalism become strategies for survival. This fairy tale might be based on memories of the Great Famine of 1315 – 1322, which caused millions of deaths by starvation in Northern Europe. Catastrophic weather patterns produced greatly diminished yields in crops. The resulting calamity hit all echelons of society and many incidents of child abandonment and cannibalism have been documented by the chroniclers of the times.

Into this grim landscape come the innocent children, who are fully attuned to the gravity of their situation. Stripped of the protection and security offered by a properly functioning family, the children must make their own decisions and define their own survival plans. Hänsel tries to take charge and protect his sister. He comforts the crying Gretel and assures her that God will not abandon them. This might be a reference to the crisis in confidence the Church experienced during and after the Great Famine. Organized religion seemed impotent against the destructive forces that had been unleashed and the authority of the Church and God were called into question. But with the faith of a child, Hänsel insists on holding fast to his past beliefs as a prescription for survival.

Faced with impending death, Hänsel takes action while his sister responds to each new situation by crying, appearing frail and helpless. The gender roles in this fairy tale have often been criticized. But it is Gretel’s quick thinking that ultimately saves the day when she pushes the witch into the oven. And at the conclusion of the tale, Gretel gives her “duck speech” to Hänsel, signaling a new sort of self-reliance and confidence. Injecting a dose of fairy tale realism into the narrative, Gretel gently reminds her brother that the weight of two children on the back of a duck would probably cause them both to drown.

This fairy tale also has older motifs that pre-date the food shortages of the fourteenth century or other medieval famines; they are the bread and food images in the narrative, which are intriguing in and of themselves. Bread is one of the oldest foodstuffs and evidence of leavened bread can be found in the archeological record going back 6000 years. The very earliest references to bread are restricted to small or broken pieces, leading scholars to surmise that the first loaves were similarly small fragments. The fairy tale often mentions such broken bread pieces and they appear here in Hänsel and Gretel as the crumbs left as markers on the path through the woods. In the saga Queen Huett the proud monarch takes soft bread crumbs to clean away mud and in the saga Semmelschuhe the proud princess fashions shoes from little pieces of bread. In the world of the fairy tale, these acts are examples of depravity and sacrilege. Bread, one of the most fundamental necessities for survival, is sacred in these stories. Pre-Christian rites in Europe also reflect the consecrated status of bread. Sir James Frazer describes a custom in France in The Golden Bough . A god or corn-spirit was believed to reside in the last harvested sheaf of grain, which was ritually eaten in the form of a baked dough-man. Frazer cites numerous examples of this ancient custom of ritually eating the god or indwelling spirit of the harvested grain. He concludes that the Christian rite of communion absorbed these earlier pagan practices. The notion of a deity being bodily present within the grain and being harmed by a sacrilegious act is also illustrated in the Grimms' legend God’s Food. Here, the loaf actually gushes blood in response to an evil deed. And although Hänsel and Gretel are starving, they do not begin their feast on the witch’s house of bread and cake until Hänsel blesses their meal.

The period of sorrow and misfortune ends when the two protagonists make their way home. Their journey includes crossing an immense body of water, which is often a metaphor for dying. After walking through a strange and uncertain landscape, they finally reach a place more familiar. Their reunion with their father is joyful. The father hadn’t had a moment’s peace since he left his children in the forest. The children bring back wealth and prosperity in the form of gems and pearls. If only the family had stuck together during the crisis! Sorrows do end, the strong can persevere with their principles still intact and they are often rewarded in the end. Unfortunately, without the journey there is no transformation. One must take up life's challenges however terrifying they might be, because they are indispensable in making us what we are.
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Wednesday, September 23, 2009

A fairy tale about food, or the lack of it: Hänsel and Gretel

The woodcutter and his family, Veneto, c. 1890.
Fratelli Alinari Museum of the History of Photography, Florence/Italy (Click on picture to enlarge.)

Grimm’s Fairy Tale No. 15: Hänsel and Gretel

A poor woodcutter lived with his wife and two children at the edge of a deep forest. The boy was named Hänsel and the girl Gretel. The man had nothing to eat or drink. Because a terrible famine ravaged the land, he could no longer find his daily bread. As he lay in bed that night thinking, he tossed and turned.

Sighing he said to his wife “What shall become of us? We cannot provide for our poor children because we don’t have anything for ourselves!”

“Listen husband,” the wife replied, “Tomorrow in the very early hours we shall take both children into the woods where the trees are the thickest. We shall light a fire and give them each a piece of bread. Then we shall go to work and leave them alone. They will not be able to find their way home and we shall be rid of them.”

“No wife,” the husband replied. “I won’t do it. How could I bring myself to abandon my own children in the forest? The wild animals would soon come and rip them to shreds.”

“Oh, you fool,” she replied, “Then all four of us must die of hunger; you should start now and mill the boards for our coffins.”

She did not leave him in peace until he consented. But the two children could not fall asleep because of their hunger and had heard everything that their step-mother had said to their father.

Gretel cried bitter tears and said to Hänsel, “Now we’re in trouble!”

“Be still, Gretel. Do not be afraid. I will do something to help us.”

And when the old folks had fallen asleep, he got up, put on his jacket, opened the lower part of the cottage door and slipped through it. The moon shone brightly and the white stones lying in front of the cottage glimmered like pennies. Hänsel knelt down and filled his jacket pockets with has many as he could cram inside. Then he returned home and said to Gretel, “Be comforted, dear sister, and sleep peacefully. God will not abandon us.” And he lay down again in bed.

When day was breaking but before the sun had risen, the woman came and woke both children. “Get up you lazy children. We shall go into the forest and cut wood.” Then she gave them each a piece of bread and said “You have something for your noon day meal, but don’t eat it before then, for you won’t be getting anything more.”

Gretel took the bread and placed it under her apron because Hänsel had the stones in his pocket. Then they all made their way into the forest. When they had walked a short distance, Hänsel stopped and looked back at the cottage again and again.

The father spoke “Hänsel, why are you looking back and staying behind. Pay attention and don’t forget to move your legs.”

“Oh father. I am looking for my white kitten, which is sitting on the roof and wants to say good bye to me.”

The woman spoke “Fool, that is not your kitten. It is the morning sun shining on the chimney.” But Hänsel was not looking for his kitten. Instead, he was dropping one of the smooth pebbles from his pocket onto the path.

When they had arrived in the middle of the forest, the father spoke. “Gather wood, children. I want to make a fire so that you are not cold.” Hänsel and Gretel gathered brushwood and made a small stack.

The fire was ignited and as the flame burned high, the woman said “Now lie down near the fire and rest. We shall go into the forest and cut wood. When we are finished, we shall return for you.”

Hänsel and Gretel sat down by the fire and when noon came, they each ate their little piece of bread. And because they heard the sound of an axe chopping wood, they believed their father was near. But it wasn’t the wood axe it was a branch, which their father had bound to a dead tree. And the wind blew it back and forth and it made a beating sound. Because they had sat still so long, their eyes fell shut in fatigue and they were soon fast asleep. When they finally awoke it was darkest night.

Gretel began to cry and said “How shall we now find our way out of the wood?”.

But Hänsel consoled her: “Wait a bit until the moon has risen. Then we shall find the way.” And when the moon rose, he took his little sister by the hand and followed the trail of pebbles. They lay there glistening like newly minted coins and showed the way. The children walked the entire night and as daylight was breaking, they arrived once more at their father’s house. They knocked on the door and when the woman opened and saw that it was Hänsel and Gretel, she spoke

“You evil children, why did you sleep so long in the forest? We thought you didn’t want to return ever again.” But their father rejoiced when he saw his children, because leaving them all alone had broken his heart.

It was not long after when there was despair in every corner of the house. The children heard how the mother spoke to the father at night in bed “Everything has been eaten. We only have half a loaf of bread. After that, the song is over. The children must go; we shall bring them deeper into the woods so that they cannot find their way out again. Otherwise, nothing can save us.”

The man was sorely troubled and he thought ““It is better to share your last morsel with your children. But the woman would not listen to what he said and scolded him and accused him. And so it was: whoever agrees once, must agree again. Because the woodcutter had given in the first time, he had to give in a second time also.

But the children were awake and had heard their parents’ conversation. Hänsel got up and wanted to gather pebbles again, but when he went to the door, he found the woman had locked it and he could not get out. But he comforted his little sister and said “Do not cry, Gretel, and go to sleep. Sleep peacefully, dear God will help us.”

Early the next morning the woman came and got the children out of bed. They both received their little crust of bread, but it was even smaller than before. On the path, Hänsel broke it into crumbs in his pocket. He often stood still and threw the crumbs on the ground. “Why are you always stopping, Hänsel, and looking around? Go your way,” the father said.

“I am looking for my little dove, which is sitting on the roof and wants to say goodbye,” Hänsel said.

“You fool,” the mother said. “That isn’t a dove, that is the morning sun shining on the chimney.” But Hänsel crumbled all of his bread and threw the crumbs on the path.

The woman led them even deeper into the woods to a place she had never seen in her entire life. Once again an enormous fire was made and the mother said “Stay here children and when you are tired, you may sleep a bit. We will go into the forest and chop wood. In the evening, when we are finished, we shall return and fetch you.”

When it was noon, Gretel shared her bread with Hänsel, who had scattered his pieces over the path. Then they fell asleep and evening came, but no one returned for the poor children. They awoke in the darkest night and Hänsel consoled his sister and said “Wait Gretel until the moon rises. Then we will see the bread crumbs, which I scattered. They will show us the way home.”

When the moon had risen, they started out but they could not find any crumbs. The many thousands of birds, who fly in forest and field, had pecked them all away.

Hänsel said to Gretel “We will find the way.” But they did not find it. They walked an entire night and day from morning until evening, but they never came out of the forest. They were enormously hungry because they only found a few berries lying on the ground. And because they were so tired, they lay down under a tree and went to sleep.

It was now the third morning since they had left their father’s house. They started to walk again but only found themselves deeper and deeper in the wood. If help did not arrive soon, they would soon fade away.

When it was noon, they saw a beautiful, snow-white bird sitting on a branch. It sang so beautifully that they stopped and listened. When it was done, it beat its wings and flew away. They followed until they reached a little house and the bird landed on its roof. When the children came very close, they saw that the cottage was built of bread and covered with cake. But the windows were made of bright sugar.

“Let’s dig in,” Hänsel said, “and have a blessed meal. I will eat a piece of the roof, Gretel you can eat from the window, it’s sweet.” Hänsel reached up and broke off a bit of the roof to try how it tasted. Gretel stood in front of the window and nibbled at the panes. A fine voice called from inside the cottage

“Crunch, crunch, crouse!
Who’s nibbling on my little house?”

The children replied

“It’s the wind,
The wind so wild,
The heavenly child,”

And they continued eating with abandon. Hänsel, who thought the roof tasted very good, tore off a large piece and Gretel pulled out a large, round window pane, sat down and enjoyed the food. At once the door fell open and there stood a woman as old as the hills. She supported herself on a crutch and walked out slowly. Hänsel and Gretel were so afraid that they let their morsels drop from their hands. But the old woman shook her head and said “Dear children, who brought you here? Come inside and stay with me. You shall not be harmed.” She took both by the hand and led them inside her little house. There, a splendid table was prepared with ample food, milk and pancakes with sugar-sweets, apples and nuts. Afterward they were led to two pretty little beds made up in white. Hänsel and Gretel lay down and thought they were in heaven.

The old woman was so cordial but in fact she was a witch who lay in wait for children. She had only built the house of gingerbread to lure them in. When one fell under her power, she killed it, cooked and ate it. And this was her feast day. Witches have red eyes and cannot see far, but they have a keen sense of smell. Like animals, they notice when people approach. When Hänsel and Gretel came close, she laughed scornfully “Now I have you and you shall not escape again.” Early in the morning before the children awoke, she was already up and when she saw them resting so peacefully, with full red cheeks, she murmured to herself “They shall be tasty morsels.” She grabbed Hänsel in her boney hand and put him in a stall and locked him in with a barred door. Cry as he may, it didn’t help him. Then she went to Gretel and shook her awake and called “Get up, you lazy bones! Fetch water and cook a good meal for your brother. He is sitting outside in the stall and will fatten up. When he is plump enough, I shall eat him.” Gretel began to cry bitterly but it was all for naught. She had to do what the evil witch commanded.

Now the best food was prepared for Hänsel, but Gretel got nothing but empty crab shells. Every morning the old woman crept to the little cage and called “Hänsel, stick out your finger so that I can feel whether you shall soon be fat.” But Hänsel extended a little bone and the old woman, who had weak eyes, could not see and thought it was Hänsel’s finger. She was amazed that he was not gaining weight. When four weeks had passed and Hänsel remained lean, impatience overcame the witch and she would not wait any longer. “Now, Gretel,” she called to the maiden, “Be quick and carry water. Hänsel may be fat or lean, but tomorrow I shall slaughter and cook him.”

Ach, how the poor little sister wept and wailed when she carried the water. The tears flowed from her eyes and fell down her cheeks. “Dear God, do help us,” she cried “If only the wild animals had devoured us in the woods, then at least we would have died together.”

“Spare me your blather,” the old woman said “None of it will help you now.”

Early in the morning Gretel had to go out and fill the pot with water and hang it over the fire. “First we shall bake,” the old woman said. “I have already heated the oven and kneaded the dough!” She pushed poor Gretel out to the oven, from which the flames of fire could already be seen lapping the edges. “Creep inside,” the witch said and see whether the oven is hot enough so that we can push the bread inside.” When Gretel was inside, she would shut the oven door and Gretel would roast inside and then she would also eat her. But Gretel noticed what she had in mind and said “I don’t know how I could do that. How will I get inside?”

“Dumb goose,” the old woman said. “The opening is large enough. Don’t you see, I could slip in myself,” and she crawled forward and put her head in the oven. Gretel gave her a shove so that she fell in and closed the iron door and lowered the latch. Hu! She began to scream horribly. But Gretel ran away and the godless witch burned to death miserably.

Now Gretel ran to Hänsel and opened up the little door of his stall and cried “Hänsel we are saved, the old witch is dead!” Hänsel jumped out like a bird free of its cage when the door is opened. How happy they were, hugged each other, jumped around and kissed! And because they no longer needed to fear, they went to the house of the witch and in every corner they found boxes with pearls and beautiful gems.

“These are much better than pebbles,” Hänsel said, and filled his pockets with as many as he could.

Gretel said “I also want to bring something home,” and filled her apron full.

“But now, let us leave,” Hänsel said, “so that we get out of the witch’s forest.” They had only walked a few hours when they reached an enormous body of water. We can’t pass over and there is also no bridge.”

“And no ship sails here,” Gretel answered, “but a white duck is swimming and if I ask, she might help us cross.” They called,

Little duck, little duck,
Hänsel and Gretel stand
Where no plank or bridge land.
So take us on your little white back.”

The duck came and Hänsel sat on its back and then asked his sister to sit beside him. “No,” Gretel replied “It will be too heavy for the duck. He shall bring us over one after another.” And the good animal did just that. When they were happily on the other side and had walked a time, the forest began to seem more familiar to them. Finally they spied from afar the house of their father. They began to run, pushed through the door and rushed inside. There they fell around their father’s neck. The man hadn’t had a happy hour since he left his children in the forest. But his wife had died. Gretel shook out her apron pockets and pearls and bright gems bounced around the room. Then Hänsel threw one handful after another out of his pocket. Their sorrow and misfortune had ended. Now they lived together in pure joy.

My story is over and there runs a mouse. Whoever can catch it, can make a big, big fur cap.


Read more about the fairy tale:

http://www.fairytalechannel.com/2009/09/reading-hansel-and-gretel-journey-of.html


http://www.fairytalechannel.com/2009/09/reading-hansel-and-gretel-stepmother.html

http://www.fairytalechannel.com/2009/10/god-is-bread-in-this-german-legend.html

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Saturday, September 19, 2009

Food and the Fairy Tale: An Aerial Bridge of Stone and a Lord's Godless Daughter



Grimm’s Saga No. 236: Shoes Made from Bread Rolls
In Klatau, a quarter hour from the village of Oberkamenz, there once stood a castle on Hradek Mountain. Today you can still see the ruins of the fortress. In ancient times the lord of the castle had a bridge built all the way to Stankau, which is at least an hour away. They took this bridge whenever they wanted to walk to church. This lord had a young, proud daughter. She was so overcome with pride that she had bread rolls hollowed out and wore the little loaves on her feet instead of shoes. One day when she was wearing these shoes and walking across the bridge to church, she put her foot on the last piece of the bridge. At once, the entire castle sank into the ground. Her foot prints can still be seen in the stone, which made up the last step of this bridge.



To read about the significance of bread in fairy tales:

http://www.fairytalechannel.com/2009/09/reading-hansel-and-gretel-stepmother.html


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Wednesday, September 16, 2009

In this Saga A Powerful Giant Queen in Tyrol Does Not Respect God's Gifts




Grimm’s Saga 234: Lady Huett, Queen of the Giants
In ancient times a powerful giantess lived in Tyrol, Lady Huett. Her home was the high mountains that encircled Innsbruck. Now these rocks are gray and barren but in times of old they were teeming with forests, rich fields and green meadows. One day Queen Huett’s small son came home crying and miserable. He was covered in mud from head to toe and his clothes were blackened like a miner’s garb covered with soot. He had tried to break off a branch from a fir tree to make a riding stick. But because the tree stood at the edge of a marsh and the ground below him was soft, he sank up to his neck in mud. Luckily, he was able to free himself and run home. Queen Huett comforted him and promised him a new shirt. She called her servant and commanded him to bring fresh bread and clean her son’s face and hands with the loaf. The servant had barely begun to do the sinful act with God’s sacred gift when a dark storm blew up, covered the heavens and dreadful thunder could be heard all around. When daylight returned, the rich corn fields, green meadows and forests along with the dwelling of Queen Huett had all vanished. Where once the landscape had been rich and prosperous, the land was now a desert with roughly strewn stones. Not a single blade of grass grew there; all was dry and barren. In the middle of it all stood Queen Huett, the Queen of the Giants, turned to stone. And she shall stand there until Judgment Day.



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Wednesday, September 9, 2009

Reading the Writing on the Wall: My Husband is a God, but My Friends are All a Bunch of Sheep




Reading the Fairy Tale The Sun Prince

In the tantalizing tale of the Sun Prince (full text below), the abundant Christian images (flock of sheep attending church, who belong to a Christ-like Sun Prince) could easily lead one to believe this is a religious parable. But a closer analysis of the text reveals an unruly narrative with threads that do not tie up so neatly. As the eldest daughter attempts to explain to her baffled mother, we, too, must read the writing on the wall to fully grasp the significance of this tale.

A rather somber Sun Prince has abducted a mortal bride and taken her off to his abode far, far away. (This is reminiscent of other stories of wife-snatching gods such as Persephone and the God of the Underworld.) The eldest brother endeavors to find his sister and alleviate his mother’s grief. When he finally finds her, he discovers that the bride and her husband consort with a flock of sheep, river-swimmers who are semi-divine beings. But the most remarkable part of the story is stated in two rather unexceptional phrases: Although the oldest son has taken the prettiest horse his parents possess, when he arrives at the dwelling of the Sun Prince the brother is told to “…bring his horse to the stable. Horses were not tolerated near the door.” If we infer that a temple is the only appropriate abode for a Sun Prince and that horses were not tolerated near the temple in this tale, we come a step closer to understanding the story.

The horse was of vital importance to Indo-European peoples and features prominently in their mythologies. Horses were considered to be the most noble, sacred, trusted and intelligent of all animals. Almost every god in Indo-European mythology had his own named horse endowed with supernatural powers. Because of their special status, horses were kept directly next to temples and were used in sacred rites, including sacrifice and soothsaying. The sound of neighing alone was believed to bring fortune and health. An association between horses and the sun god has also been documented for numerous ancient tribes. It was the sun god who appeared in the morning sky with his horses and pulled the solar disk across the heavens in his wagon or chariot. Archaeologists have found such images throughout Europe (Trundholm sun disk, Celtic coins, Helios images, to name just a few examples). The fact that horses were not tolerated near the dwelling of the Sun Prince in this story, points to a cultural context outside the norm. This fairy tale comes from a remote region in Switzerland that was dependent on the sheep and not the horse for its survival. Bordering on Italy near the town of Merano, the area is still renowned for its fine wool and hand-woven fabrics.

Many ancient cultures personified the sun as a god and the earth as a goddess. The marriage between sun and earth was responsible for the fruitfulness of the earth and reenacted in religious festivals and cult practices. In many cultures bowing to the rising and setting sun was a daily ritual. This is echoed in the actions of the pious sheep of this fairy tale who show their reverence by bowing to the Sun God, his wife and finally the newly initiated youngest brother. The special cake the sheep eat is likely a reference to the round cakes made especially to honor the Sun God in religious ceremonies. In his book Indo-European Poetry and Myth, M. L. West surmises that such cakes might originally have been symbols of the sun itself.

The most delightful figures in this fairy tale are the sheep. They straddle parallel universes: the familiar world and an otherworldly realm beyond the wild river. Crossing a river is often a metaphor for dying in folktales (See Crossing to Remagen, link at right). At the very least the river crossing in this tale signals a transition into another spiritual dimension. The sheep seem to represent guardian angels or beings whose function is to assist mortals reach higher spiritual enlightenment, possibly a sort of heaven or the afterworld. In a delightful reversal of roles, it is the sheep who act as shepherds, coaxing and prodding the three brothers. They undergo a physical transformation as they cross the threshold of the chapel, which might actually be a metaphor for an unseen spiritual metamorphosis (or might even suggest a physical resurrection after death). However one reads the story, these sheep are indeed indispensable companions and guides.

At the end of the tale the grieving mother is granted a visit with her departed daughter. But when the girl vanishes for always, we presume her new role is too important for earth visits and she can no longer be bothered with the concerns of mortals. It would be interesting to find out what happens to her youngest brother, the one whose initiation facilitated by the sheep brought about the reunion in the first place. Has he become a priest on earth, ministering to mortals, or does he now inhabit the realm across the river? Only the Sun Prince knows for sure.

To read a fairy tale about the peaceable kingdom of animals:

http://www.fairytalechannel.com/2009/11/peaceable-kingdom-of-fairy-tales.htm

To read more fairy tales FairyTaleChannel.com
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