Monday, April 13, 2009

Ostara, Easter Bunnies and Colored Eggs



Ostara is the Germanic goddess of spring and the rising morning sun. She represents nature’s resurrection from its deep winter sleep. A daughter of Woton and Fricka, she accompanied her brother Donar when he led the many processions celebrating victory over the winter giants in spring. She was also called the May Queen and the figures known as the May Count and May Countess, who often presided over Easter pageantry and spring festivals, most certainly are references to Donar and Ostara.

Reverence for the goddess was so firmly rooted in ancient ceremonies celebrating the vernal equinox that her name was subsequently transferred to the Christian feast day commemorating the resurrection of Christ. “Ostar” means morning, or rather, the direction from which the first spring rays of sunshine emanate. Easter month is the month of April, the time of nature’s reawakening and the Christian festival of resurrection.

On Easter Sunday the sun purportedly took three leaps of joy – delighting over the return of spring according to early pagan beliefs. The priests said these “jubilatory jumps” honored the risen Christ.

According to folk tradition, Easter water must be collected from a flowing stream at daybreak and the person who carries it home must not let any sound escape from his lips. If he forgets, the Easter water becomes babbling water and it loses all of its healing properties. The water must be scooped up at the precise moment the sun rises and the collector must bow three times in the direction of the sun. Sealed bottles of this holy water were stored in dark places and used throughout the entire year as healing agent against eye ailments and other sufferings.

The rabbit, considered to be Ostara’s favorite animal because of its fecundity, and the egg, considered to be a symbol of germinating life, were therefore dedicated to the goddess and forever associated with springtime celebrations. This gave rise to the belief that the Easter Bunny laid Easter Eggs on Maundy Thursday. Naturally, the eggs were dyed the colors of Donar and Ostara, red and yellow. Such colorful eggs were then brought to the gods as spring offerings. The custom of dying and presenting eggs at Easter has survived to this day.

The first night in the mild month of May was dedicated to the goddess Ostara. Giant fires were lit symbolizing the power of Donar and May flowers were strewn to honor the goddess Ostara. There were celebratory processions and in some locations it was popular to burn an effigy representing the giant-winter. Conquered by Donar’s superior power, this ritual burning signified winter’s power now broken. As Europe became Christianized, this spring narrative changed from “Nature is awakening” to “Christ is risen”.

Later, an attempt was made to remove the fervently revered goddess Ostara from the picture altogether, replacing her with the Holy Saint Walpurga. The saint’s feast day was set on the eve of April 30 to May 1st. Easter bonfires were now referred to as the devil’s fire and Ostara and her attendants became witches. The festival associated with the goddess was now referred to as the witch’s Sabbath and was supposedly held at Blocksberg Mountain. Blocksberg is the Brocken, the highest mountain in the Harz region of Germany. This mountain is closely tied to German folklore as is the Teutoburg Forest. On Walpurgistnacht witches were said to ride their firey broomsticks through the air and meet at this dancing site.

To protect against such dreadful demons, a farmer was advised to paint three crosses on his barn door and place a broom across the threshold because malevolent spirits were said to retreat at the sight of a cross and broom. Whoever did not take such precautions might find that his cows had been visited by a dreadful disease in the morning, or that they now gave red instead of white milk.

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Sunday, April 5, 2009

The Theme of Death and Resurrection in Fairy Tales



Embraced by thorns: the Fairy Tale of Sleeping Beauty, in which a maid is brought back to life.

A long time ago there lived a king and a queen. Each day they said to each other “If only we had a child!” for it was their most fervent desire. But alas, they never had one. Now one day it happened that the queen was sitting in her bath and a frog came out of the water. It crept onto the shore and said to her “Your wish shall be fulfilled, before a year passes you shall have a daughter.” What the frog foretold did indeed happen and the queen bore a little girl. She was so beautiful that the king was beside himself with joy and called together a celebration. He not only invited relatives and friends, but also the Wise Women, so that they would be well disposed toward the child. There were thirteen Wise Women in his kingdom, but because he only had twelve golden plates for them to eat from, one would have to stay home. The party was celebrated in splendor and when it was over, each of the Wise Women presented the child with a wonderful gift: one bestowed virtue, the other beauty, the third riches, and so on and so forth with everything that could be wished for upon the earth. When eleven of these wise women had bestowed their blessings, the thirteenth suddenly appeared. She was ready to take revenge because she had not been invited to the party. Without greeting or even looking at any of the guests, she called out in a loud voice “The king’s daughter shall prick her finger in her fifteenth year and fall over dead!” She did not utter another word, but turned around and left the hall. All were aghast. But the twelfth wise woman still had one wish left over. Because she could not negate the evil spell but could only mitigate it she said “The king’s daughter shall not die, but only fall into a deep sleep lasting one hundred years.” The king, who wanted to save his dear child from this misfortune, sent out the command that all spindles in the entire kingdom should be burned. But all the blessings of the Wise Women were fulfilled for the child. She was so beautiful, demure, friendly and attentive that anyone who saw her had to love her. It happened that on the very day she turned fifteen, the king and queen were not at home and the girl remained all alone in the castle. She wandered through all the rooms and chambers and finally came to the old tower. She climbed the tight spiral staircase and reached a small door. In the lock was a rusty key and when she turned it, the door sprang open. In a small chamber sat an old woman with a spindle and spun her flax skillfully. “Good day, old grandmother,” the king’s daughter said. “What are you doing here?” “I am spinning,” the old woman replied and nodded her head. “What kind of thing is this that spins around so cheerfully?” the girl asked and picked up the spindle and also wanted to spin. She had barely touched the spindle, when the magic spell was fulfilled and she pricked her finger. In the moment she felt the sting, she fell onto a bed beside her and was soon in a deep sleep. A heavy slumber soon spread throughout the entire castle: the king and queen, who had just come home and entered the hall, fell asleep and the entire court with them. The horses fell asleep in their stall, the dogs in the courtyard, the doves on the roof and the flies on the wall. Even the fire in the oven flickered, became quiet and died down and the roast stopped roasting. The cook, who was pulling the hair of the kitchen servant, let go and fell asleep. And the wind quieted until not a single leaf moved in the trees in front of the castle. A thorn hedge began to grow around the castle, which was higher each year and finally encircled the entire castle. It grew over the castle walls and soon, nothing more could be seen, not even the banners on the roof. The story circulated throughout all the land that a beautiful Thorn-Rose slumbered inside, because that is what the king’s daughter was called. From time to time the sons of kings came and tried to penetrate the hedge and enter the castle. But it was not possible. It was as if the thorns had hands, which were clenched firmly together. The youths got stuck in the thick branches, could not free themselves and died a mournful death. After many years another king’s son arrived in the land and heard an old man tell of the thorn hedge. A castle supposedly stood behind it, in which a beautiful king’s daughter, named Little Thorn Rose, was already sleeping one hundred years, and with her slept the king and the queen and the entire court. The man also knew from his grandfather that many princes had already come and tried to penetrate the thorn hedge, but they all became entwined in the bramble and died a miserable death. The youth spoke “I am not afraid. I will go out and try to see the beautiful Little Thorn Rose.” The old man tried to dissuade him, but he did not listen to his words. One hundred years had just passed and the day had arrived when Little Thorn Rose was to awake. When the king’s son approached the thorn hedge, it was full of beautiful flowers. The branches opened for him and the thorns parted and let him through unharmed. Behind him, the hedge closed again. In the courtyard he saw the horses and hunting hounds lying asleep and on the roof sat the doves with their heads tucked below their wings. When he entered the house, the flies on the wall still slept, the cook still held his hand in the air as if he wanted to strike the servant and the maid sat before the black hen that was to be plucked. He entered the hall and saw the entire court lying asleep and the king and queen lay on their thrones asleep. He walked further and everything was quiet, you could hear a person breathing. Finally he came to the tower and opened the door to the small chamber where Little Thorn Rose slept. She lay there and was so beautiful that he could not turn away his eyes and bent over and gave her a kiss. When he touched her mouth with a kiss, little Thorn Rose opened her eyes, awoke and blinked joyfully at the prince. They walked down the winding staircase and the king and queen and the entire court awakened. They all looked at each other in amazement wide-eyed. The horses in the courtyard stood up from their sleep and shook themselves; the hunting hounds jumped and wagged their tails; the doves on the roof pulled their heads from under their wings, looked around and flew out to the field; the flies on the wall began to hum; the fire in the kitchen rose up, flickered and cooked the food; the roast began to get crispy; the cook boxed the youth’s ears so that he cried out and the maid plucked the chicken. The marriage of the king’s son and Little Thorn Rose was celebrated in splendor and they lived happily ever after.

To read more about the Wise Women in this fairy tale, hit the Norns link at the right.
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To read more fairy tales about death and resurrection of fairy tale characters, please hit the link Path to Paradise or Little Red Riding Hood.

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Sunday, March 29, 2009

Queen Berta the Palm Sunday Fairy


An Apparition in the Forest



In fernyear there lived many bewitched and enchanted women, who meant well by folk and even offered help in times of need or disaster. In particular, the goodly Queen Berta is well- known for the many beneficial things she did for the earth. She especially liked to hover round the Sourze Tower in Waadt Land. 

Every winter she was said to appear there in a white, radiant gown. Swinging a winnower filled to the brim, she broadcast seed over every mountain and valley. At Christmas she appeared as huntress with magic wand in hand, and processed through the village accompanied by many spirits. She circled the houses and dwellings to find where industry, diligence and order ruled. 

But the good wife Berta was not the only beneficent woman. In the steep rocky cliffs of the Jura Mountains near Vallorbes there is an enormous cave. In olden times many kindly and beautiful fairies lived there, but no one was allowed to intrude into their underground dwelling without punishment. This did not mean you could not see them. One fairy always showed herself from a distance every Palm Sunday. She led a white lamb on a string when a fertile year lay ahead, but in times of misfortune or famine a pitch-black goat followed her. 

Another fairy bathed at the midnight hour in the blue pools of the Orbe Spring. Two powerful wolves always circled the pool to keep people away. When it snowed in winter and became cold, the fairies came into the village and entered the empty smithies as soon as the workers had left. They warmed themselves by the fire and a rooster crowing loudly announced the return of the forge workers. Then the fairies vanished from the work place. 

The appearance of fairies was well-known throughout the entire land. Every herder boy knew that there were tall and beautiful women in white gowns that flowed down to the ground, which carefully concealed their feet. The fairies also sang beautifully. But their abundant and rich hair was the finest attribute of all, for their tresses fell round their shoulders and enveloped them like a golden mantle.

Fairy Tale Factum

The German expression in teueren Zeiten (Teuerung) is used in this Swiss saga and appears in other saga of the Brothers Grimm. Its antiquated meaning refers to a time of disaster, famine or need. The modern translation is inflation or a rise in prices. At first glance this modern usage seems to have little to do with the older meaning. Teuerung is a term from economics and describes the cost of living index or the price of commodities. Its ancient meaning often meant death from starvation and its causes included failed crops, mismanagement of agricultural resources or unsustainable economic or farming practices.

Queen Berta is spreading the seed for planting using a Futterschwinge. I would guess that 75 years ago, people were still familiar with this exact implement. Since the word is not included in any of the dictionaries at my disposal, I must derive its meaning from its parts, on the one hand, and a pictorial encyclopedia of early American farm tools on the other. Futter = dried food for cattle such as hay or grain and schwinge = something swung back and forth or a shallow, oval basket. The Museum of Early American Tools by Eric Sloane describes a winnower or winnowing scoop as a tool used to throw flailed grain into the air to separate the lighter particles of chaff. The process of winnowing beats or diffuses something through the air. I suspect the tool was something similar for dispersing seed during the spring planting, perhaps by swinging a shallow basket back and forth. (I am sure there are still people who know what this is out there!) Fernyear is a now obsolete term which means in olden times or past years. Fern means remote or distant in German.


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