Happy Valentine’s Day! In keeping with the theme of love and courtship, this week FairyTaleChannel is highlighting the romance of the Swan Knight Lohengrin. There are endless ways to interpret this story, but pictures are often worth a thousand words. Click on the link below to hear the Prelude to Lohengrin, conducted by Otto Klemperer and view many beautiful Pre-Raphaelite illustrations with the same theme. It sets a wistful but romantic tone for Valentine’s Day, which I hope you enjoy!
Monday, February 14, 2011
A Valentine's Day Fairy Tale
Sunday, February 13, 2011
Grimm's Saga No. 542: Lohengrin at Brabant
Image from the Bodleian Library, French ca. 1487
Grimm’s Saga No. 542: Lohengrin at Brabant
The Duke of Brabant and Limburg died without leaving any heir except for his young daughter Els or Elsam. On his death bed he commended the girl to one of his courtiers, Friedrich von Telramund. Friedrich, who was otherwise a valorous man and had slain a dragon at Stockholm, Sweden, became overly-boisterous and wooed the young duchess under false pretenses. He declared that she had promised herself to him in marriage. Because she honorably denied this, Friedrich complained to the German Kaiser Henry the Fowler, who spoke the verdict: she would have to engage a hero to defend her honor in mortal combat. When no one could be found, the duchesses fervently called on God to save her. Far away where the grail was kept at Mount Salvatsch, the toll of bells was heard signaling that someone was in dire need. The grail immediately commanded that the son of Parsifal, Lohengrin, would be sent out. When he was just about to place his foot in the stirrup, a swan came floating on the river pulling a ship behind. Lohengrin had barely set his eyes upon it when he called out: ”Bring my steed to manger brimming with clover. I will go out with this bird and follow wherever he leads me.” In complete trust of God, he did not take along any sustenance on the ship. After five days of traveling over the sea, the swan dipped its bill into the water and caught a small fish. He ate half and gave the other half to Lohengrin.
While this was transpiring, Elsam called her dukes and courtiers to a council in Antwerp. On the very day of the meeting, a swan could be seen swimming up the Schelde River pulling a little ship. In it lay Lohengrin, who lay prostrate sleeping on his shield. The swan soon landed on the strand and the young duke was received in joy. The people carried helmet, shield and sword from the ship and then the swan turned around immediately and swam away. Lohengrin now listened to the injustice the young duchess had been forced to bear. He undertook the mission gladly and would become Elsam’s defender. When Elsam heard all this, she called all her relatives and subjects, who readied themselves in large numbers. Even King Gotthart, her grandfather on her mother’s side, came from England through Gundemar, called by the Abbot of Clarbrunn. The procession made its way until meeting and congregating in Mainz. Kaiser Heinrich who was residing in Frankfurt, arrived in Mainz, and in this city his throne was erected, where Lohengrin and Friedrich were to wage battle. The Grail Hero was triumphant; Friedrich relented and confessed he had lied to the duchess. He was executed by hammer and axe. Elsam now became Lohengrin’s prize and they loved each other dearly. But he secretly stipulated that her mouth should avoid all questions about his origin; otherwise he would leave her in that very moment.
For a time the married couple lived in undisturbed bliss and Lohengrin ruled the country wisely and mightily. He also served the Kaiser on his crusades against the Huns and heathens. But it happened that while engaging in spear throwing with the Duke of Kleve, the spear pierced the Duke’s arm and shattered it. The Duchess of Kleve now complained jealously to her ladies in waiting “Lohengrin may be bold, and he appears to have adopted the Christian faith; but it’s a shame that his fame is small; because no one knows which land he swam up from!” These words penetrated the heart of the Duchess of Brabant, she blushed and then became pale. At night in bed when her husband held her in his arms, she cried. He said “Dear, what ails you?” She replied “The Kleve Duchess has forced me to these sighs of despair.” But Lohengrin was silent and did not inquire further. The second night she cried once more; he noticed and quieted her again. Only on the third night, Elsam could no longer hold her tongue and said: “My liege, do not scorn me! I would like to know your origin, from whom you were born; my heart says you are of noble birth.” As dawn was breaking, Lohengrin declared openly from where he came. Parsifal was his father and God had sent him from the Grail. He had his two children brought before him, kissed them and commanded that they guard well his horn and sword. To his wife he left the little finger that his mother had once given him. Now his friend the swan hastened toward him pulling the ship. The young duke boarded and sailed against the current and returned to the grail. Elsam sank to the floor unconscious. Her teeth were clenched so tightly they had to be opened with a wedge and water poured inside. The Kaiser and his kingdom accepted the orphan children. One was named Johan and the other Lohengrin. But the widow cried and complained her lifelong about her dear husband, who never returned.
TRANSLATION FairyTaleChannel.org
Friday, February 11, 2011
Becoming What You Are, an Egyptian Fairy Tale
The current events in Egypt make it seem only natural to turn to a fairy tale from that region of the world. Here is one from ancient Egypt, The Doomed Prince; it is a story that has fascinated listeners for over 3,000 years and influenced authors both ancient and modern. The theme is Becoming What You Are, a concern that has preoccupied many a fairy tale character and one that is no less intriguing today.
Read the brief introduction below and then the full text of the Doomed Prince by clicking on the links.
It is perhaps not astonishing that such a doomed person would seek a rapid ascent in life and winning a flying competition is an apt metaphor for this yearning. The image of a throng of flying children being led by a boy who will never grow up is particularly poignant and a theme we find again in J.M. Barrie’s Peter Pan. This story also shares the motif of the crocodile, representing an ever-present and looming fate that casts long shadows. Whether or not Barrie was inspired in any way by this fairy tale when he wrote Peter Pan is unknown (to me). Based on the dates the source text became known to the public (Papyrus Harris 500) it is entirely possible.
At the end of the tale we see the prince bravely meeting his destiny. From the sad circumstances of his existence, he has created a meaningful life. He has acquired certain virtues including courage and loyalty, he has forged loving relationships, he lives life without fear and has the freedom to make choices. He has followed the maxim of the Greek poet Pindar who wrote “Become what you are” (and love your fate). Embrace what is unique to you and live life to its fullest.
Translation Copyright FairyTaleChannel.org
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Thursday, February 10, 2011
For Valentine's Day: Love and Marriage Celebrated in Fairy Tales (and Movies)
A Fairy Tale Courtship
Reading the Fairy Tale Sweetheart Roland
True Love Enkindled
Even the title of the fairy tale, Sweetheart Roland, suggests a romantic love story. But the themes of courtship and marriage are often grim and violent events in fairy tales and this story does not disappoint. Before Roland the Sweetheart is even introduced, a mother mistakenly chops off the head of her only child and we see a girl lying in a pool of blood, all because of apron-envy. This story suggests that on the road to marital bliss, one must always remember the primary obstacles to happiness; in the opening scenes of this tale, jealousy is the hurdle. Survival (let alone happiness) depends on overcoming this destructive, obsessive, and deadly force. But the primary theme of this story, I think, is not human survival, but the survival and endurance of love. This tale describes the vicissitudes and trials encountered when pledging one’s self to a sweetheart.
Besides encountering surprising amounts of blood and gore in the opening sentences, one of the first oddities in the narrative is that the precise hands of the stepmother are described when she chops off the head of her daughter. She holds the axe in her right hand while groping with her left. This level of detail in oral narrative is striking. Why not just say she held the axe in her hands, or she simply chopped? This type of right hand versus left hand distinction is also encountered in Rapunzel, when the powerful sorceress cuts off the girl’s hair. Rapunzel is a similar story describing the hazards of negotiating a successful marriage, but at its heart this story focuses on the violation of marriage taboos. It would be interesting to track down this right-hand versus left-hand motif in other stories to determine if it really alludes to some obscure marriage rite or only pops up when a taboo is broken (or when it pops up at all).
But back to Sweetheart Roland. Most of the courtship or wooing in this tale takes place when the two protagonists are on the run. They undergo a process of transformation, assuming forms that are interdependent yet mutually advantageous for surviving the wrath of a treacherous world (here: an evil stepmother). In both instances Roland functions as the protector, in his guise as the sea and in his role as the fiddle player. The maiden is the quick-thinker, nimbly designing and adapting the forms of escape. Marriage requires a versatile skill set, including adaptability, quick thinking, persistence and constancy. This last virtue is poignantly alluded to when the maid assumes the shape of a granite field stone, waiting patiently for her lover to return. Love is a rocky road, as this fairy tale underscores. Even abandonment must be endured with good cheer and patience. Forget the seventies adage “love means never having to say sorry”. In this fairy tale “love means always loving”. It weathers hardship like a stone, it prevails over disappointments. It survives, somehow.
Contrast these ideas about love and partnership with modern notions, for example, the relationship at the center of the hit movie “No Strings Attached”. It’s hard to imagine that the heroine in the movie has found the type of love that would keep on loving, over vast amounts of time or even geological time as alluded to in the fairy tale . For a a very funny review of the movie read the New Yorker article by David Denby http://www.newyorker.com/arts/reviews/film/no_strings_attached_reitman
But go see the movie and then remember Sweetheart Roland.
Which story do you prefer?
To read the fairy tale Sweetheart Roland:
http://www.fairytalechannel.com/2011/02/sweetheart-roland.html
Film versions of endless love:
To read the fairy tale Sweetheart Roland:
http://www.fairytalechannel.com/2011/02/sweetheart-roland.html
Film versions of endless love:
No Strings Attached
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