Three Tales for Halloween: The Cat in the Willow Tree

Three Tales for Halloween Tale 1, Grimm’s Saga 250: The Cat in the Willow Tree
There once lived a farm boy in Strassleben who told the following story: In his village there was a certain maid, who had lost her wits to dancing mania. Often no one knew where her dancing took her, she seemed to lose her senses completely and then vanish. She would only return home after some time had lapsed. Once, this same farm boy and other workers decided to follow the maid. When once again on Sunday the girl began to dance and amuse herself in the company of the workers, she suddenly departed. But they all crept after her in stealth. She left the inn and went out into the field and ran off without looking around, straight to a hollow willow tree, in which she hid herself. The workers followed, curious to see whether she would remain some time in the willow. They waited at a place where they could stand well-hidden. After a short time they noticed that a cat jumped out of the willow and crossed the field back to Langendorf. Now the fieldhands approached the willow; there they saw the maid, or better said her body, leaning against the tree completely rigid. They could not bring her back to life however fiercely they shook her body. They were overcome with terrible dread; they left her body standing and returned home. After some time they could see the cat creeping back through the field and then it slipped silently into the willow and vanished. Some moments later the maid emerged from the willow and returned to the village.


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A German Fairy Tale about the Problem with Bread Shoes

(Another saga about Bread Sin. However gloomy these tales might appear to the modern reader, they do reflect a deep reverance for the food we eat. Perhaps these tales are most fitting to read in the autumn as we approach Thanksgiving, All Souls' Day and Halloween. It is also interesting to read this fairy tale alongside The Shroud, see link at right.)

Grimms’ Saga No. 238: Bread Shoes

A woman from a respectable family had a child who was the apple of her eye. When it died, she did not know how she could express the love and tenderness she felt before the babe was lowered into the earth and she would see it nevermore. And as she washed and dressed the child and placed it in its coffin, it struck her that its little shoes were not fine enough. She took the whitest flour that she had and made a dough and from this she baked soft bread shoes. The child was buried in these shoes. But the child would not give the mother any rest or peace but instead appeared looking mournful until its coffin was dug up again and the little shoes of bread were taken from its feet and replaced with proper shoes. From then on, the child was quiet and returned no more.

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God is Bread in this German Legend

Although a rather bleak tale, this German legend illustrates the notion of a deity residing within the bread and thus its sacred nature. This belief caused quite a controversy during the Reformation but can actually be traced back to pre-Christian notions about the sanctity of grain. Read this alongside A Walk Through the Forest: a Recipe for Resilience  to explore how food is depicted in the Fairy Tale.

Grimms’ Legend No. 5: God’s Food

There once were two sisters; one of them was childless and rich, the other had five children and was a widow. The widow was so poor that she no longer had bread to feed herself or her children. In her dire need she approached her sister and said “My children and I suffer from the harshest hunger. You are rich, give me some bread.”

But the woman who was stone-rich spoke “But even I have nothing in my house!” And she drove the poor woman away with her evil words. After some time the husband of the rich sister came home and wanted to cut a piece of bread. But when he cut the first slice from the loaf, red blood flowed from within. When the woman saw this, she was terrified and told her husband what had happened. He rushed to the poor sister and wanted to help. But when he entered the chamber of the poor widow, he found her praying. She held the two youngest children in her arms. The three oldest lay on the floor and were dead. He offered her food but she replied “We no longer long for earthly food; God has already satisfied three. He will also hear our pleas.”

The widow had hardly spoken these words, when the two little ones took their last breath. This broke the woman’s heart and she sank to floor dead.

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Reading Hänsel and Gretel: Stepmother and witch, the ladies we love to loathe.

The fairy tale Hänsel and Gretel features two female characters that audiences love to abhor: the stepmother and wicked witch. It is the behavior of the stepmother that frequently launches the action of a fairy tale. The scheming machinations of this female, who we know from the beginning is not really the true mother, catapults the objects of her villainy into life-defining moments of distress and terror. Her evil actions speak for themselves and in this fairy tale, nothing is said (or needs to be said) about how the children feel toward the woman. She is fully human yet fully horrid and concerned only with her own welfare. We understand this type of person and perhaps even recognize elements of her character in our own acquaintances and family. Though thoroughly bad, there is nothing preternatural in her ability to make bad things happen. She does real harm to the other characters, but in the end she is usually dead or receives her just reward. In hindsight we can usually say that the evil stepmother is crucial as catalyst for transformation in the narrative.

The witch is another story. She is aligned with the forces of evil and thus her powers are stronger than the stepmother’s. Her supernatural qualities make humans appear even more frail and defenseless. In Hänsel and Gretel her unique attributes are animal-like and include recognizing creatures by their scent. Other characteristics include red eyes and indeterminable advanced age. She usually has something that people absolutely need or even worse, absolutely desire. That is the source of her power and why she can always lure the protagonists into her lair. But her powers are not without limit. Like the stepmother, she can do real harm. But fairy tale characters who look deep inside themselves can often find the resources they need to overcome the witch. The hero or heroine can always choose to take action or not. When put up against a supernatural being, he or she must develop resourcefulness and ingenuity, those qualities that have hitherto lain dormant. When these untapped qualities are finally unleashed, the witch has no power over the individual.

In fairy tales witches or sorceresses frequently have the power to reveal the future and thus they influence human destiny. They can shape-shift, disappear, do real harm to cattle and crops and also exercise control over the weather. But they usually cannot take a person’s life and thus it is up to the individual to develop strategies to overcome their evil.* This has caused some commentators to believe that witches are merely personifications or symbols of our inner struggle to become more fully human. Other writers have lamented the fact that the loathsome characters in fairy tales are mostly female. I would argue that the crucial characters in fairy tales are almost exclusively female. The male characters, such as the father in Hänsel and Gretel, are frequently weak and indecisive. Even Hänsel is not the true hero of the story for it is Gretel’s swift thinking that saves the day.

* The fairy tale Frau Trude is one exception. The witch ends up killing the girl because she is not up to the challenges of transforming her character.

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Reading Hänsel and Gretel: a Journey of Filial Love and Survival

A Walk Through the Forest: a Recipe for Resilience

The situation is dire indeed in the fairy tale Hänsel and Gretel. We are told in the very first paragraph that “a terrible famine ravaged the land” and it was impossible to find even the most basic sustenance, bread. Without any relief on the horizon, the parents plot to rid themselves of their offspring in the hope that by losing their children in the forest they will somehow save themselves. Fairy tales are filled with examples of such extreme behavior and here the abandonment of children is equivalent to murder by neglect. A natural disaster is at the root of the crisis. The famine has not only ushered in a period of physical hardship but it has introduced widespread spiritual decay as well. This is a time when murder and cannibalism become strategies for survival. This fairy tale might be based on memories of the Great Famine of 1315 – 1322, which caused millions of deaths by starvation in Northern Europe. Catastrophic weather patterns produced greatly diminished yields in crops. The resulting calamity hit all echelons of society and many incidents of child abandonment and cannibalism have been documented by the chroniclers of the times.

Into this grim landscape come the innocent children, who are fully attuned to the gravity of their situation. Stripped of the protection and security offered by a properly functioning family, the children must make their own decisions and define their own survival plans. Hänsel tries to take charge and protect his sister. He comforts the crying Gretel and assures her that God will not abandon them. This might be a reference to the crisis in confidence the Church experienced during and after the Great Famine. Organized religion seemed impotent against the destructive forces that had been unleashed and the authority of the Church and God were called into question. But with the faith of a child, Hänsel insists on holding fast to his past beliefs as a prescription for survival.

Faced with impending death, Hänsel takes action while his sister responds to each new situation by crying, appearing frail and helpless. The gender roles in this fairy tale have often been criticized. But it is Gretel’s quick thinking that ultimately saves the day when she pushes the witch into the oven. And at the conclusion of the tale, Gretel gives her “duck speech” to Hänsel, signaling a new sort of self-reliance and confidence. Injecting a dose of fairy tale realism into the narrative, Gretel gently reminds her brother that the weight of two children on the back of a duck would probably cause them both to drown.

This fairy tale also has older motifs that pre-date the food shortages of the fourteenth century or other medieval famines; they are the bread and food images in the narrative, which are intriguing in and of themselves. Bread is one of the oldest foodstuffs and evidence of leavened bread can be found in the archeological record going back 6000 years. The very earliest references to bread are restricted to small or broken pieces, leading scholars to surmise that the first loaves were similarly small fragments. The fairy tale often mentions such broken bread pieces and they appear here in Hänsel and Gretel as the crumbs left as markers on the path through the woods. In the saga Queen Huett the proud monarch takes soft bread crumbs to clean away mud and in the saga Semmelschuhe the proud princess fashions shoes from little pieces of bread. In the world of the fairy tale, these acts are examples of depravity and sacrilege. Bread, one of the most fundamental necessities for survival, is sacred in these stories. Pre-Christian rites in Europe also reflect the consecrated status of bread. Sir James Frazer describes a custom in France in The Golden Bough . A god or corn-spirit was believed to reside in the last harvested sheaf of grain, which was ritually eaten in the form of a baked dough-man. Frazer cites numerous examples of this ancient custom of ritually eating the god or indwelling spirit of the harvested grain. He concludes that the Christian rite of communion absorbed these earlier pagan practices. The notion of a deity being bodily present within the grain and being harmed by a sacrilegious act is also illustrated in the Grimms' legend God’s Food. Here, the loaf actually gushes blood in response to an evil deed. And although Hänsel and Gretel are starving, they do not begin their feast on the witch’s house of bread and cake until Hänsel blesses their meal.

The period of sorrow and misfortune ends when the two protagonists make their way home. Their journey includes crossing an immense body of water, which is often a metaphor for dying. After walking through a strange and uncertain landscape, they finally reach a place more familiar. Their reunion with their father is joyful. The father hadn’t had a moment’s peace since he left his children in the forest. The children bring back wealth and prosperity in the form of gems and pearls. If only the family had stuck together during the crisis! Sorrows do end, the strong can persevere with their principles still intact and they are often rewarded in the end. Unfortunately, without the journey there is no transformation. One must take up life's challenges however terrifying they might be, because they are indispensable in making us what we are.

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